No. 186: That Steamer Trunk Gag

Size and Weight

Here is a drawing you will feel but not see: a single frame of
the trunk on impact, showing its squashed form.

Back in posts no. 142 and 144, I discussed this scene in detail.  It shows how even a large, strong man has trouble lifting and moving the Old Man's ponderous trunk. It is key to the whole film because you will keep wondering how that old man is going to move the trunk at all, let alone get it onto the airplane.

We come back to it now because I have chosen it as the first scene I intend to finish in ink and paint and with a background.

Let's look at the scene again, in a new pencil test done with my stop motion app.

The drawings have now been tightened up so that there is detail in the renderings of the trunk and in a few details on the man lifting it (i.e., some drag and follow through on his pants leg.)

Next will be scanning the drawings as bitmaps, then importing them into Animate Pro as vector drawings, and then re-drawing them on a new layer. (Laborious, yes, but tell me something about animation that I don't know?) I will be establishing my inking style at this point and also adding color.  Stay tuned!

No. 185: Animation at Any Speed

How Many Frames per Second?

Early on, I learned that it was not a good idea to think of timing in terms of frames. That is, how many frames it took to do something: throw a ball, take a step, do a take. A couple of decades before, there wouldn't have been any reason not to, because everything was projected at 24 or 25 frames per second (fps.)

A couple of decades before that, before 1928, the standard projection speed was 16 fps; it was the advent of sound that standardized the speed at 24. And film animators often learned to think of their timing in terms of feet, because one linear foot of 35mm film contained 16 frames. I think it must have been film editors who physically spliced together actual lengths of film stock who thought of that.

Shortly after I got into animation, though, computers set a new standard of 30 fps, so if you worked in computer games, you worked with that. It was based on 60 cycle alternating current, programmers have told me. It can boggle the mind, doing one project at 24fps and the next at 30.

So I learned to think of my timing in terms of seconds and fractions of seconds, a system which works at any speed. I have done work at 30, 24, 12 and 8 fps.

Eight frames per second is a funny frame rate. It is slow enough that the eye is not quite fooled by the motion. One can perceive the jumps from image to image. Japanese anime is full of it, though, and most people don't seem to mind (though I do!)

My experience at using 8 fps was on a children's 2D video game at Humongous Entertainment.  As it happened, that particular project never got finished, but I did some pencil tests, and I found that it was possible to get a passable result.

And there was one other project, just a few years ago, a picture book which also was never published.  As i recall, I was asked to do a simple cycle of animation of a cartoon hippopotamus rising out of the water and sinking back again. Because of the technology being used on the book, there was a severe limitation of 7 or 8 frames for the action. I was dubious, but I tried it, and I found that at 8 fps it didn't look half bad.  Here is the pencil test of that, repeated a few times.

Rather fun and funny, I think, and I am sorry it never got printed and seen. I hope you enjoy it now.

Here's a color illustration I later did, just because I enjoyed drawing the character.